DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

A pandemic has ravaged the world outside. Julia and Volodya are a couple that suffers from Coronaphobia by taking the safety measurements far too seriously. After anticipating all the possible scenarios and doing breathing exercises, the couple reluctantly goes out to the street, a place, in Volodya’s own words, “full of COVID bastards”. Armored and hysterically, the couple arrives at an ordinary supermarket. Almost turning against each other, their suspicion is translated into episodes of excessive outrages against the local shoppers who, according to the couple, are painfully and inconsiderably carefree. Their mission seems to be a success until they encounter an unmasked shopper. From then on, things go downhill for the main characters.

In the early 1970s, art historian and curator Stephen Scher turned a camera on the complex ecosystem of Parisian dining. This collage of footage remained perfectly preserved in the can for 50 years; but now, as the filmmaker assembles it into a documentary, we can behold the end of a culinary era.

Caught up in a symbiotic relationship with her father, Inès (20 years old) embarks on a difficult path to try to escape from this imposing man in order to build her own identity and become an adult woman.

The story tells about two guitarists Vasya and Pasha, a choral college student Zhenya, a paratrooper Bob and a classical vocal teacher Ptitsyn, who by chance unite to create a rock band. On the way to fame, future stars are waiting for crime bosses, crimson jackets, the "latest" gadgets in the form of pagers and tetris, and, of course, world-famous idols, including Freddie Mercury and Kurt Cobain.

In a conservative California town, 14-year-old Audrey is new to Bellweather, California and certain she’ll never fit in when she meets Krista Rich, the pretty, popular girl she aspires to be or “be with" shes just not sure. Blending traditional filmmaking with social networking-inspired video clips, director Jan Wellmann paints a portrait of puberty and the hyperconnected lives of modern teens.

In Spain, during the Napoleonic rule, the French Governor of Andalusia is besieged by the locals who have countless demands and wishes.

Documentary made with archival footage exploring the Beatles' LSD use.

Christian Bodin and his mother Maria Bodin are set on an adventure for the Land of Smiles. They meet many zany characters and face several obstacles along their journey in Thailand.